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Solange Knowles, a more philanthropist heron, reimagine cinema toward one unique way of the film.

Solange Knowles
Solange Knowles

Key Sentence:

  • We made in birthday party of the finalists for this yr’s Woolmark prize, “passage” features.
  • That work of designers like Bethany Williams plus thebe magugu and publications us through an abstraction of “creation as life.”

“Passage” starts with a mesmerizing drumbeat—the sort of sound that conjures something magical. The movie using Solange Knowles, directed by wu-Tsang and styled through ib Kamara, commemorates the finalists for this yr’s worldwide Woolmark prize: Bethany Williams, Casablanca, Kenneth Ize, Lecavalier, matty above, and thebe magugu.

The designers will take domestic the grand prize, whose preceding winners include Valentino garavani, Karl Lagerfeld, and Yves Saint Laurent.

But for now, they may be all part of the party in “passage,” which functions the work of all six designers. Because the film’s adventure starts offevolved, diffused movement entrances you at the same time as you embark on a conceptual voyage leaving one global and seamlessly falling into any other.

A hoop of eclectic dance emerges first with fingers held after which our bodies freed, harking back to mattresses the dance, an abstraction of battle, freedom, and pleasure. As the digital camera courses us thru an imagined realm in which the clothes have autonomy, we’re swept from the stage to the woodland to a surrealist melding of the two worlds.

The woodland—perhaps an allegory for sustainability—and the theater come collectively to create a world of shadows and shapes, as the stages of creation are explored with every dressmaker’s creative expression as the foundation.

“in continuing saint heron’s global making exercise, ‘passage’ similarly explores my hobby in theatrical production via the interpretation of identity, spirit, philosophy, and advent,” Solange said in a statement.

“Whether it be thru album artwork, level design, or filmmaking, I’ve usually sought to create new visible languages that encompass the expressions my different works can’t talk.”

After quick flashes of a lovely but eerily vacant theatre, the film ends with the identical drummer that brought us right here; in some way, we depart this passage transformed. As Marcel Proust once wrote, “the real voyage of discovery consists, not in looking for new landscapes, however in having new eyes.”

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